Friday, February 24, 2017

Coriolanus Characterization

In the beginning of Shakespeare’s play, Coriolanus, many events happen in which helps directly and indirectly characterize Marcius. This is something average and that any play should accomplish. However, a deeper look at the characterization can reveal the larger purpose of his characterization in act one.

Let’s start with the genre. Usually a play like this from Shakespeare is heralded as a tragedy. Although it does have qualities that inherently make it a tragedy, it is considered a political play. The characterization usually begins to fulfil at the apex of the climax in a play. This is to indirectly characterize the character’s qualities though his actions. But this play does not have that copacetic layout that we are accustomed to. The climax of the play is the start of the play. The action and combat takes place at the beginning of the play rather than the middle. The battle of the Volsces. The climax would be the most coherent place to indirectly show the characteristics of a Coriolanus in battle. What does this mean for the purpose. Well as this looks more at politics and less at “your average tragedy play”, it makes sense that the layout of the plot would be so paramount compared to tragedies. And that it makes it easier for the viewer to understand why Coriolanus might do what he is doing. Instead of questioning themselves, the viewer can now understand the character of Coriolanus.

Another, would be the setting. The act largely takes place at a battle setting. This would be the rising action of the play already before he gets exiled (more on that later). In the setting, there wouldn’t be many moments were a character can start a dialogue constantly or have a conversation with another character. It just continuous battle. But the author takes advantage of this scene to indirectly characterize Coriolanus. The battlefield would be the best place since most of his accomplishment or his qualities would be expressed through his actions rather than his words.

Lastly would be conflicts and the consequences in the coming acts. Later in the play, he tries to force people to vote him into consul. But the people start to recall the time Coriolanus mocked the people who voted for him, which were usually poorer, less noble people than he was. And he gets exiled from the city as his opposition uses the situation to their advantage. This again links back to the point I made previously. The incipient part of the play characterizes Coriolanus so the audience does not question his future actions and instead can grasp the reason why he would do so.